Art Exhibitions and News

current and ongoing art exhibitions

previous solo and group shows
latest news, publications and magazine articles on art related subjects

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current, recent, forthcoming and ongoing exhibitions


Ernie Gerzabek's Abstract Explorations @ Arthouse Hotel
Solo Exhibition in The Dome
275 Pitt St, Sydney 2000
Monday 26th July - Saturday 21st August 2010
Information 9975 5527 and 9284 1200
see also Arthouse Hotel web

  Members Exhibition - Hornsby Art Society
Hornsby Art Gallery
208 Pacific Hwy, Hornsby
Wednesday 11 to Sunday 22 August 2010
Open 10am to 4pm Wed to Sun
Information 9476 8869 and 9975 5527

De Stijl Exclusive Furniture
294 New South Head Road, Double Bay, NSW 2028
Mon-Fri 10am - 5pm Sat 11am - 4pm
Information 9363 1666 or 9975 5527

  Creative Journeys - Mosman Art Society
Fred Hutley Hall, North Sydney Council Chambers
200 Miller St,  North Sydney
14 - 23 May 2010, open 10-5pm every day
Mosman Art Society

list of previous art exhibitions


SOLO SHOWS

Angel Restaurant Gallery, Queenscliff, 2009, 2008, 2007
ArtHouse Hotel Gallery Sydney 2008, 2005, 2004, 2002
Martha's Restaurant, Castlecrag NSW 2008
Samuels Restaurant, Thirroul NSW 2008
Morrison Motors Mercedes-Benz, Chatswood 2007
Nostimo Cafe, Woollahra 2007
Cafe on Oaks, Dee Why, 2008, 2007
De Stijl Furniture Gallery, Gold Coast, Queensland 2007, 2006
De Stijl Furniture Gallery, Double Bay, NSW, 2008, 2007, 2006
Tamburlaine Winery Gallery Pokolbin, 2005, see photos
Gallery 307, Northbridge 2005
Glen Street Theatre, Belrose 2004, 2003
Finks Gallery, Waverton 2004
Cornucopia Art Center, Lanesboro, MN, USA, 2004
In Situ Gallery, Manly 2004
Pruniers Restaurant, Woollahra 2004
The Gallery Grand Salon, Melbourne 2003
GIG Gallery, Glebe 2003
Global Gallery, Paddington 2003
Dale Thomas Gallery, Artarmon 2002
Vistablue Gallery, North Sydney 2002
Forresters Gallery, Surry Hills 1999


publications


Artist's Palette magazine article, January 2001
Artist's Palette magazine article, January 2004
Article in Manly Daily, February 2003
Article in Blue Mountains Gazette, October 2002
Article in Manly Daily, March 2001
Intellectual Capital Report 2004, BOKU (University, Vienna)

 

artistic photo based giclee

Berries, photo by EG

  GROUP SHOWS

Mosman Festival of Sculpture - The Sculptors Society - 2010
Ku-Ring-Gai Art Society Art Exhibition - St Ives 2010
Hornsby Art Prize, Cherrybrook 2009
The Sculptors Society, Darling Park Exhibition, Sydney 2009

Life Drawing & Sculpture Exhibition
, Hornsby Art Gallery
Group Show @ McGrath Foundation, Northbridge

Ku-ring-gai Art Society Art Prize St Ives
Sculptors Society exhibition - Governors Phillip & Macquarie Towers and Chifley Tower, Sydney
Festival of Sculpture @ Mosman Village - Sculptors Society
Gallery 41, Sydney 2008
Artfest 08 - St Madeleine's Primary School, Kenthurst
2008
The Sculptors Society, Australia Square and MLC Centre, Sydney 2008

Mosman Regional Art Gallery, 2007, 2001
Mosman Art Society Exhibition 2008, 2007, 2006, 2004
The Sculptors Society, Darling Park Exhibition, Sydney 2008
The Sculptors Society, The Towers Exhibition, Sydney 2008

Sydney Royal Easter Show
2008
Ku-ring-gai Art Society, St Ives
2008
The Sculptors Society, Mosman
2008
ArtinPort Gallery, Port Kembla, 2007
North Shore Art Society, Collaroy, 2007
North Shore Art Society, Manly, 2007
St Joseph's College, Hunters Hill, 2007
Marist College, North Sydney, 2007
North Sydney Art Prize, 2007
, 2004
Ku-ring-gai Art Society Annual Art Award, St Ives, 2007, 200
5
Moulton Gallery, Mosman, 2007
Ku-ring-gai Art Society, St Ives, 2007
, 2006
MKA Gallery Budapest Hungary, 2006
Glen Street Theatre, Belrose, 2006, see photos
Dale Thomas Gallery, Artarmon, 2006, see photos
St Augustine College, Brookvale, 2006
Macquarie University Art Gallery, Sydney
, 2005
NSW State Government's  Mitchell Library, Sydney
, 2005
artRoom Upstairs Gallery, Manly, 2005, 2004
Cadry’s Art Prize Finalists, Fox Studios, 200
5
Framework Gallery, Cremorne, 2004
Delmar Gallery, Ashfield, 2004
Design Metaphor Gallery, Palm Springs, California, 2004
Affordable Art Show Sydney, 2004
Jeans for Genes Charity Auction & Exhibition, Sydney, 2004, 2003
Manly Regional Art Gallery, 2004, 2003, 2001
BASE Space Contemporary Gallery, North Curl Curl, 2004
Alliance Françoise, Sydney, 2004
Artichoke Gallery, Manly, 2003
Duluth Gallery, Minnesota USA, 2003
Forest Gallery, Durras, 2002
Gallery Paul, Melbourne, 2002
Salmon Galleries, McMahons Point, 2002
MacLaren Roberts Gallery, Mosman, 2002
The Wentworth Gallery, Sydney, 2002
Valerie Cohen Gallery, Paddington, 2002
Gannon House Gallery, Sydney, 2002
Montesol Gallery, Warriewood Beach, 2002
Rendez-Vous Gallery, Vancouver, 2001
Barbara Carmichael Gallery, Roseville, 2001
The Sydney Art Gallery, Ultimo, 2001
Trevor Victor Harvey Gallery, Seaforth, 2001
Soho Gallery, Leichhardt, 2001
North Sydney Fine Arts, North Sydney, 2001
Great Southland Art Prize, Oxford Falls, 2001, 2000, 1999


ongoing exhibition at de Stijl exclusive furniture - double bay, new south wales


294 New South Head Road, Double Bay, NSW 2028 -- Information 9363 1666 or 9975 5527


Gerzabek abstract paintings Gerzabek abstract paintings exhibited

Gerzabek art abstract paintings Gerzabek abstract paintings exhibited de Stijl gallery

painting exhibition de Stijl gallery art paintings at de Stijl

Refugees: Telling their Stories 2005 - Ernest's Story told by April


The United Nations High Commissioner for Refugees (UNHCR) conducted a High School Writing Competition in 2005.

My grand-daughter April Seymour, aged 14, asked me about my experiences as a Hungarian refugee in 1956-58.  Her entry about my story was selected for publication and was awarded Highly Commended.  Click to read it.


Heartspace: Heart Of Australia Exhibition - Artspace, Adelaide Festival Centre


It can often be difficult to hang an exhibition that is so varied in medium, content and style. Also, for audiences, when an exhibition is extremely eclectic, it can pose a visual problem for reading context and continuity. However, in the case of 'Heartspace', which recently showed at the Artspace Gallery at the Adelaide Festival Centre, Yvette van Berkel did a tremendous job in not only coordinating the show, but in providing an important common thread that bound the works together so succinctly.

The umbrella theme of the show was that all the artworks were donated by Australian artists for auction to raise money for the Heart of Australia Refugee Appeal. Under the auspices of the Australian Refugee Association, Heart Of Australia is an organisation concerned with the welfare of refugees, particularly asylum seekers. The organisation was established with the mission to raise funds to assist those refugees and asylum seekers to Australia who are most disadvantaged and vulnerable.

Regardless of how you feel about Australia's policy on refugees, the fact remains that refugees seek asylum due to reasons such as 'fear of prosecution, torture or death in the place from which they have fled'. While the number of unauthorised asylum seekers to Australia is relatively small compared to refugees arriving across African and Asian borders, Australia continues to use a mandatory detention policy in order to deter other refugees, despite Article 14 of the Universal Declaration of Human Rights that guarantees to all, the right to seek asylum in any reachable territory.

So why an art exhibition? Unlike many other modes of communication, art has the ability to appeal to a variety of sensibilities - visual, mental, emotional - without necessarily seeming distinctly political. In the case of 'Heartspace', as mentioned, part of the exhibition was to raise money through the auction of donated works included in the show. This can be seen as a genuine effort where the collaboration between some 58 or so artists and the organisation Heart Of Australia has been successfully utilised to meet an obvious funding objective. It is important to note that the calibre of artwork exhibited in 'Heartspace' was of a particularly high standard. Some of the prominent artists to participate were Hossein and Angela Valamanesh, Deborah Paauwe, Mark Kimber, Mark Thiele and Kay Lawrence to name just a few.

  Such variety and high standard of artists involved in 'Heartspace' resulted in many highlight pieces. As usual, Peta Cowen Goh's blown glass vessels were stunning, as was Kath Inglis' delicate, steel wire Shadow Bowl. It is always a pleasure to view Deborah Paauwe's work and her image Goodnight Moon (bright blue) with such brilliant colour was no exception, while Rona Green's bold Discotheque Nasties linocut was particularly striking too. Janet Ayliffe's Albert And Milly Count The Fish etching was fun and wonderfully detailed and Chris Chun's The Masters Tools and Chocolates made me smile in their reference to the kitchen and indulging in sweets - simple pleasures of mine. As Nici Cumpston's Spirit Of The Dancing Soul I brought viewers back to the site of the Adelaide Festival Centre and its roots as an arts institution but also an Indigenous meeting place, Ingo Webber's Telephone Terror NYC 2001 by contrast, came as a timely reminder of our current political climate.

By incorporating contemporary light and wood sculptures, found objects, textiles, jewellery, ceramic, glass, photomedia, installation, painted canvas and works on paper, 'Heartspace' attempted to cater for all lovers of art, bridging the divides that occur on individual levels regarding issues of concern. This is the beauty of such an exhibition, that audiences may be encouraged to support a cause, following their own beliefs or setting aside differences. While the eclecticism of 'Heartspace' alone should thus yield a successful auction, the exhibition is strengthened all the more by its stated aim of raising funds for a worthy cause.

I believe that both the exhibition and the auction were a fantastic initiative and all those involved in 'Heartspace' and indeed Heart of Australia should be congratulated for their contribution. Perhaps if there were more events such as this one, further needs could be met and changes made in the areas of politics, society and culture, dealing with important issues that this country has yet to resolve.

Nerina Dunt

(Article reproduced by permission db Magazine)


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